ADOBE PREMIERE FOR IPAD PRO
ADOBE PREMIERE FOR IPAD SOFTWARE
ADOBE PREMIERE FOR IPAD PLUS
ADOBE PREMIERE FOR IPAD DOWNLOAD
ADOBE PREMIERE FOR IPAD MAC

ADOBE PREMIERE FOR IPAD SOFTWARE

It does well what it is designed to do – speeding up and streamlining your Adobe Audition audio workflow.LumaFusion has a convenient interface that makes it similar to other video editing software for iPad. You can click the eraser icon to clear all your recorded keyframes.įor $7.99, I think the AC-7 Core is a no brainer if you have an iPad and spend a bit of time in Audition or other DAWs. Latch mode will stay where the fader was when you let go. In this mode key frames aren’t recorded till you move the fader, and when you let go, it returns to the previously recorded keyframes. After you stopped recording, the mode changed to Touch. To see the keyframes you recorded, click the twirly beside the mode. Click the Play button and drag the fader to record key frames, and press the Stop button when done. You can do this in Audition or click the Write button on the AC-7. To record keyframes change this to Write. In Audition you need to be in a multitrack session to use automation.īy Default each track is in Read Mode.

ADOBE PREMIERE FOR IPAD PRO

If you need a refresher on getting from Premiere Pro to Audition I previously wrote about editing clips & sequences in Audition.

The most common workflow for editors is to send your finished edit from Premiere Pro to Audition. Instead of doing this manually you can record keyframes when you move the fader using Automation. This is called “riding the levels” or adjusting gain. Often when you have music in your video edit you want to dip it down when someone is speaking, and then bring it back up when they stop. Audio Automation in Audition (Recording Keyframes) You have transport controls to play, record, jog and shuttle. One of the most useful features for me is the ability to record audio keyframes in Adobe Audition, which we’ll dig into a little deeper now. You can select tracks, mute and solo them. The faders are responsive and clicking the meters button lets you see the audio volume for each track. You can pick a skin, which gives you a light or dark interface. The Generic Mode works with Audition and generally any device that uses Mackie Protocol. You have a choice of Modes, to emulate the settings in various DAWs. If you prefer using an iPhone or iTouch there is also a AC-7 mini. Surprisingly the AC-7 Core dosen’t have latency issues (delay) when you move a fader and works with no hiccups wirelessly over a Wi-Fi connection.

ADOBE PREMIERE FOR IPAD MAC

If you will be using this workflow a lot it’s a good idea to put “Audio Midi Setup” on your dock (for Mac users). Then double click on Network, then select the iPad and click Connect. It might be necessary to manually reconnect your iPad if it was turned off after a session. There are written directions and a video tutorial for both Mac & Windows installation. It works on both Mac & Windows iPads running (iOS 4.2 and later) in a variety of apps, including FCP 7.

ADOBE PREMIERE FOR IPAD DOWNLOAD

The installation and configuration are surprisingly easy (takes 5-10 minutes) First, download the app from iTunes. To start using AC-7 Core in your post production workflow you’ll need to set it up. You can perform basic functions like recording a voiceover from across the room! Getting Up and Running

ADOBE PREMIERE FOR IPAD PLUS

The other big plus of using a control surface is that it frees you from your computer. It enables a quicker workflow and in many ways is easier to use than a mouse. I previously mentioned this useful application in my 10 filmmaking apps under $10 article.Īs an editor who also does audio (and wears multiple hats), I find the AC-7 good for basic post-production audio work. AC-7 Core ($7.99) is a control surface that runs on your iPad. You can easily spend $200 on a dedicated control surface, but there is a cost effective alternative: use your iPad. Control surfaces are devices that control the faders and other controls (mute, solo, automation) in Audition or other Digital Audio Workstations ( DAW).Ĭontrol Surfaces aren’t currently supported in Premiere Pro, but they are in Adobe Audition, FCP 7, and Logic Pro. I personally prefer the tactual touch of a fader or virtual fader over using a mouse, and this is where control surfaces come in. I spend a bit of time in Adobe Audition working with audio, and using a mouse feels cumbersome at times.

To see some of the latest apps and post productoin tools check out, a site focused on iPad/iPhone filmmaking apps and gear. The iPad is quickly turning into a powerful tool for filmmaking, with new apps appearing each month. Instead of a mouse, use your iPad to control your faders and other controls in Adobe Audition (mute, solo, automation). Using a control surface frees you from the keyboard!

Adobe premiere for ipad